‘Without methods’: three female authors visiting the Western Front
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Campo DC | Valor | Idioma |
---|---|---|
dc.contributor | Transhistorical Anglophone Literary Studies (THALIS) | es_ES |
dc.contributor.author | Prieto, Sara | - |
dc.contributor.other | Universidad de Alicante. Departamento de Filología Inglesa | es_ES |
dc.contributor.other | Universidad de Alicante. Instituto Universitario de Investigación de Estudios de Género | es_ES |
dc.date.accessioned | 2017-07-21T08:59:45Z | - |
dc.date.available | 2017-07-21T08:59:45Z | - |
dc.date.issued | 2015-07 | - |
dc.identifier.citation | First World War Studies. 2015, 6(2): 171-185. doi:10.1080/19475020.2015.1038842 | es_ES |
dc.identifier.issn | 1947-5020 (Print) | - |
dc.identifier.issn | 1947-5039 (Online) | - |
dc.identifier.uri | http://hdl.handle.net/10045/68332 | - |
dc.description.abstract | This essay focuses on May Sinclair's A Journal of Impressions of Belgium (1915, London: MacMillan), Mary Roberts Rinehart's Kings, Queens and Pawns: An American Woman at the Front (1915, New York: George Doran Company) and Edith Wharton's Fighting France: From Dunkerque to Belfort (2010, London: Hesperus Press Limited), and examines how these writers reflected and negotiated in their writing their status as eyewitnesses to the First World War. In a male-dominated world, the presence of women writers at the front was unusual. These three authors wrote about their condition as ‘other’ in a world that had been traditionally secluded for them, and had to negotiate the strategies they would resort in order to portray the conflict. | es_ES |
dc.description.sponsorship | This work was supported by the Spanish Ministry of Research and Innovation [BES2009-012060] and by the Women Studies Centre of the Universidad de Alicante [Ayudas para la realización de tesis doctorales 2012–2013]. | es_ES |
dc.language | eng | es_ES |
dc.publisher | Routledge | es_ES |
dc.rights | © 2015 Taylor & Francis | es_ES |
dc.subject | Eyewitness accounts | es_ES |
dc.subject | Literary journalism | es_ES |
dc.subject | War reportage | es_ES |
dc.subject | May Sinclair | es_ES |
dc.subject | Edith Wharton | es_ES |
dc.subject | Mary R. Rinehart | es_ES |
dc.subject | First World War literature | es_ES |
dc.subject.other | Filología Inglesa | es_ES |
dc.title | ‘Without methods’: three female authors visiting the Western Front | es_ES |
dc.type | info:eu-repo/semantics/article | es_ES |
dc.peerreviewed | si | es_ES |
dc.identifier.doi | 10.1080/19475020.2015.1038842 | - |
dc.relation.publisherversion | http://dx.doi.org/10.1080/19475020.2015.1038842 | es_ES |
dc.identifier.cvID | A8371114 | - |
dc.rights.accessRights | info:eu-repo/semantics/openAccess | es_ES |
dc.relation.projectID | info:eu-repo/grantAgreement/MICINN//BES2009-012060 | - |
Aparece en las colecciones: | INV - THALIS - Artículos de Revistas Institucional - IUIEG - Publicaciones |
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Archivo | Descripción | Tamaño | Formato | |
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2015_FWWS_Wharton_Rinehart_Sinclair.pdf | Versión final (acceso restringido) | 125,74 kB | Adobe PDF | Abrir Solicitar una copia |
2015_FWWS_Wharton_Rinehart_Sinclair_preprint.pdf | Preprint (acceso abierto) | 385,24 kB | Adobe PDF | Abrir Vista previa |
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