Emotion in Cervantes and Shakespeare

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dc.contributorShakespeare y el Siglo de Oro Españoles
dc.contributor.authorGonzález-Fernández-de-Sevilla, José-Manuel-
dc.contributor.otherUniversidad de Alicante. Departamento de Filología Inglesaes
dc.date.accessioned2016-09-22T07:27:17Z-
dc.date.available2016-09-22T07:27:17Z-
dc.date.issued2015-10-
dc.identifier.citationNeophilologus. 2015, 99(4): 523-538. doi:10.1007/s11061-015-9432-xes
dc.identifier.issn0028-2677 (Print)-
dc.identifier.issn1572-8668 (Online)-
dc.identifier.urihttp://hdl.handle.net/10045/58130-
dc.description.abstractEarly modern thought found in emotion a key to explaining human behaviour, highlighting the powerful way in which it can influence and disturb human life. Shakespeare’s and Cervantes’s treatment of emotion includes a full acknowledgement of its mental and bodily aspects and functions. But emotion rarely comes in a pure state. Character and emotion interact and their responses are often contradictory. Since emotions are sentiments that we feel and actions that we perform, it is worth inquiring into how, in Cervantes and Shakespeare, emotion affects their characters in different ways.es
dc.languageenges
dc.publisherSpringer Science+Business Media Dordrechtes
dc.rights© Springer Science+Business Media Dordrecht 2015. The final publication is available at Springer via http://dx.doi.org/10.1007/s11061-015-9432-xes
dc.subjectEmotiones
dc.subjectMiguel de Cervanteses
dc.subjectWilliam Shakespearees
dc.subjectBodyes
dc.subjectCharacterses
dc.subjectHumourses
dc.subjectAffectses
dc.subjectAnagnorisises
dc.subject.otherFilología Inglesaes
dc.titleEmotion in Cervantes and Shakespearees
dc.typeinfo:eu-repo/semantics/articlees
dc.peerreviewedsies
dc.identifier.doi10.1007/s11061-015-9432-x-
dc.relation.publisherversionhttp://dx.doi.org/10.1007/s11061-015-9432-xes
dc.rights.accessRightsinfo:eu-repo/semantics/restrictedAccesses
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