Metaphors of Modernity: Palimpsestic Identities, Polygamous Marriages and Global Capitalism in Aidoo’s Changes: A Love Story

Please use this identifier to cite or link to this item: http://hdl.handle.net/10045/121345
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Title: Metaphors of Modernity: Palimpsestic Identities, Polygamous Marriages and Global Capitalism in Aidoo’s Changes: A Love Story
Authors: Santana Da Silva, Meyre Ivone
Keywords: Aidoo | Ghana | Women | Literature | Modernity
Knowledge Area: Filología Inglesa
Issue Date: Jan-2022
Publisher: Universidad de Alicante. Departamento de Filología Inglesa
Citation: Alicante Journal of English Studies / Revista Alicantina de Estudios Ingleses. 2022, 36: 131-147. https://doi.org/10.14198/raei.2022.36.07
Abstract: African routes to modernities have been marked by internal fissures and ambivalences that affect social life and political and economic structures in several ways. In the novel Changes: A Love Story, the Ghanaian writer Ama Ata Aidoo deals with the inconsistencies of modernities, asking whether global capitalism promotes gender equity or mainly contributes to social stratification, generating more complex hierarchies. This essay examines how Aidoo’s narrative utilizes women’s sexuality as an allegory to provide a vehement critique of colonial and post-independence policies, abusive indigenous practices, male privilege and corruption while shedding some light on women’s condition in modern urban Accra.
URI: http://hdl.handle.net/10045/121345
ISSN: 0214-4808 | 2171-861X (Internet)
DOI: 10.14198/raei.2022.36.07
Language: eng
Type: info:eu-repo/semantics/article
Rights: © 2022 Meyre Ivone Santana Da Silva. This work is licensed under a Creative Commons Attribution 4.0 International License (CC BY 4.0).
Peer Review: si
Publisher version: https://doi.org/10.14198/raei.2022.36.07
Appears in Collections:Revista Alicantina de Estudios Ingleses - 2022, No. 36

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